A 3pm start for an entire day of extreme metal may seem a little extreme in itself and it will be a miracle if everyone leaves with the capability of hearing and walking but fans are eager to accept the challenge. A wide range of local talent is on offer to warm up the crown and provide background drinking music for many with thrashers Axonide starting off the procedures. Grindcore trio Oblivionized get brutal without a bass and slightly more known Brits Bloodshot Dawn bring a more conventional deathly sound into the day.
The slightly manic Unfathomable Ruination blastbeat their way into frenzy, whilst The Last Shot Of War’s deathcore falls on its face with predictable breakdown galore. Rearmed continue the madness with some more brutality but suddenly the break between bands begins to lengthen.
After playing a show in Ireland previously, the remaining three bands are still nowhere to be seen and it develops that their ferry is not going to arrive in time. This unfortunately results in the assaulting sound of Decrepit Birth not being heard tonight, much to our displeasure and many others’ here.
Luckily Cattle Decapitation do a tremendous job of picking up the bad vibes and blasting them out of the venue in a frenzied showdown of death metal done good. Frontman Travis Ryan devours the stage whilst spewing out demented vocals to create the best uneasy listening one could ask for. Latest tracks from ‘Monolith of Inhumanity’ get a stellar response and new favourite ‘Forced Gender Reassignment’ causes the biggest mosh pit of the night to explode. Instead of suffering with sea legs, the nastiness is played with a precision so pummelling, they take the band of the night award.
You’d think a band with as much experience as Cryptopsy would be able to follow this performance in their stride but unfortunately their set becomes quite the anti-climax. Despite last year’s self-titled album throwing the band back into the spotlight to some extent, it feels as though the band have lost their bite in general since frontman Lord Worm left. The sound is swamped by double bass and there is an intensity lacking in songs such as ‘Slit Your Guts’ that would normally blow off the roof. Due to this the crowd seem knackered prematurely but its understandable when you take in how much has been displayed today.
Reviewed by Lily Randall
Published at soundshock.com