Tonight’s one off show at The Boston Arms sees a swelling audience from the doors opening due to a couple of exclusives in this evening’s proceedings. With an ever evolving underground sound thriving in the capital, what better way to start than with homage to OSDM, courtesy of Decrepid. The band fills the stage with Swedish rawness and a slight tinge of crusty grind, with frontman Cris Bassan stomping the stage into the ground like a bald Barney Greenway.
Craven Idol need no introduction for most who reside within London, with a consistent showcase of their blackened thrash on stage in recent years. As always they dominate clad in studs and leather, with buzzsaw riffs and echoing gnarls of hatred consistently pummelling the venue. With such a tight set and influence from legends such as Destroyer 666 or Bathory, we can only hope a full length will soon haunt us with its existence.
The fact that this is Grave Miasma’s only UK show this year is likely to have been a pulling point for many tonight and it soon becomes apparent why. Whilst much of the atmosphere on their EPs is created by an old school production, the murky depths of their blackened death seem to intensify in a live environment. The gloom-riddled guitars and rasps of the occult on the likes of ‘This Tomb Is My Altar’ become almost hypnotic as the set encases you in total darkness.
Sonne Adam’s previous journey to our shores supporting Grave was a show to be reckoned with but their first headline show in London is destined to push into another dimension. As soon as the intensely low riffs of ‘We who Worship The Black’ commence, the crowd are under the Israelis’ spell, with every ounce of evil seeming effortlessly brilliant. Nothing is forced here, with every track from incredible debut ‘Transformation’ sounding as crushing, if not more, than on record. Despite Dahan’s departure last year, the current four piece are meticulously bound with Davidov’s vocals harrowing every ear tunnel within venue. Tonight is a perfect example as to why Sonne Adam’s entrance into the spotlight was such a breath of fresh air for doom death.
Review by Lily Randall
Published in Iron Fist