Seventeen years is a bloody long time to wait for a comeback but Carcass make it all worthwhile with an album that not only dusts the dried blood off of the amplifiers but matches in superiority to their previous masterpieces. Their last offering ‘Swansong’ was a poor way to duck out of the limelight but ‘Surgical Steel’ takes the best bits of pioneering favourites ‘Necroticism’ and ‘Heartwork’ and mould them into a perfect blend of melody and madness.
Since their hiatus began in 1996, bands from all over have taken the styles of both these albums, desperate to the reignite the flame of Carcass but regardless of which tools of the trade they chose, it hasn’t quite reached legendary. As soon as intro ‘1985’ fades out and short but seriously heavy ‘Thrasher’s Abbatoir’ kicks in it is crystal clear this is Carcass and not one of their imposters. As the band slay through grind infused sections of ‘Cadaver Pouch Conveyor System’, the old-school angst remains despite a production so sharp it could slice you up. Former drummer Ken Owen shall forever remain a legend behind the kit, however latest recruit Daniel Wilding has a slight technical edge to his stick work that gives tracks including single ‘Captive Bolt Pistol’ a modern edge that pisses all over newer bands.
While the force of ‘Necroticism’’s blood flows strongly throughout the album, one cannot avoid the melodically genius guitar work that juxtaposes it. Bill Steer may be without Michael Amott but if anything, his solitary position allows him to swoop and solo a la ‘Heartwork’ at his own demise proving, and at times topping, the claim that Carcass invented the melodic death metal sound. Everything about ‘Surgical Steel’ proves that not only is this a magnificent comeback, but it could also be one of the greatest things Carcass have stitched together in terms of song-writing, musical prowess and production.
Reviewed by Lily Randall
‘Surgical Steel’ is out September 16th on Nuclear Blast
You’ll like this if…the thought of ‘Necroticisim being transplanted into the body of ‘Heartwork’ gets you grabbing for your apron
published on soundshock.com