Nile @ The Garage, London

For once The Garage in London isn’t shoving the death metal devoted into the tiny upstairs area but this doesn’t stop the gig ending in blood, sweat and beers. Opening the night are Belgian deathsters Pestifer, who seem pretty unknown tonight. For those out early, it’s a showcase of tidy yet uninspiring tech death that does little to wake up the crowd and despite groovy breakdowns and vague stage presence, it’s unlikely Pestifer will be a band Googled profusely after the show.

Luckily Svart Crown have far more power behind them, as they blast into their eerie blackened death that may not sit pretty on this bill but is lapped up almost instantly. The four-piece from France feel monolithic from the stage, as they proof they still have it in the form of new tracks ‘In Utero’ and title track ‘Profane’, blasting immaculate yet sinister melodies amongst the chaos. Despite their darker approach to brutality, the band seem to have won over genre elitists tonight and rightly so.

Kataklysm’s “side project” Ex-Deo are certainly starting to make their own name, especially after a strong set at this year’s Bloodstock festival. With themes as strong as Nile’s Egyptian love affair, the death metallers death metal is smothered with Roman mythology and thus has an epic presence live. The guitar is a little low in the mix but with armour intact and heavy melodies galore, the band still prove their worth on this line up.

US veterans Nile have their loyal followers in tow before they’ve even played a note and it isn’t long until temperatures akin to their worshipped desert land are reached. Mosh pits break out for all the classics including ‘Sarcophagus’, Kafir!’ and ‘Lashed To The Slavestick’ and unlike their performing predecessors, the guitar sounds as crunchy and widdly as necessary. ‘The Howling Of The Jinn’ is one of a few songs that are a rarity live but still sound as terrifying as one would hope and although latest offering ‘At The Gates Of Sethu’ was weak in comparison it’s tunes still get some energy from the pit.

As the night draws to a sudden close due to a lack of encore, favourite ‘Black Seeds of Vengeance’ confirms that twenty years in the business has not worn Nile down and the spirit of Ra is still strong across the metal plains.

Reviewed by Lily Randall

published on soundshock.com

Advertisements

Party. San Open Air 2013 Review

Despite clashing with Brutal Assault and Bloodstock, Party.San is far from lacking when it comes to a devastating line up and the German airfield is crammed with punters in agreement.

The likes of Bombs of Hades kick off the proceedings with their crusty death metal from Sweden to an acceptable sized crowd and whilst Farsot’s sound is less ferocious, their harrowing post-black metal fills the stage. As the evening continues, the sunset creates the perfect setting for some French aural beauty a-la Alcest.  Their live show is intimate and hypnotising and a far cry from what’s next.

The crowd is probably at its most eager now as black thrashers Destroyer 666 take to the stage. Thankfully the wind settles and every rapid riff can be heard from favourites like ‘Raped’ and the epic ‘I Am The War God’. A tribute to the late Jeff Hanneman is raised in the form of Slayer’s ‘Black Magic’ along with several horns. The definition of black metal is confirmed as the moon glows and Carpathian Forest explode into the limelight. For many, this is the headline set of the day and Nattefrost and co prove they would have deserved it.

Friday sees an earlier start and a grind coupling of Gutalax and Magrudergrind seems like an obvious alarm clock. Others have saved energy for an onslaught from Coffins and it’s a good job they did, as they’re absolutely crushing live, doing each of their albums considerable justice. Vocalist Ryo communicates with sheer brutal vocals and whiskey swigging that complement their doom-riddled death metal.

Here to dampen the mood in the best possible way is Shining. The Swedes lower the tone from the off with their DSBM proving an ultimate contrast from the energy of earlier. The music is faultless and at times you wish the insanity of Kvarfoth the clown will stop so that the sounds created can be truly embraced.

The second stage sees the tent rammed in anticipation for a German occult ritual from Alchemyst, who leak mystery and atmosphere from the start of the set. Their black/death metal is drenched in reverb and the smoke and red lighting creates an incredibly dark aura with several tracks from ‘Nekromanteion’.

Tonight’s headliners Hypocrisy need no introduction. The Swe-death legends’ recent ‘End Of Disclosure’ album was weak, a couple of tracks slot in at the start without losing any oomph and older, tracks such as ‘Left To Rot’ bring out a balance of brutality.

With the last night finishing with three huge bands we need, Hooded Menace to continue the doom death presence of the weekend, with a sound thick enough to sink into and experience a death as slow as their songs.

After 25 years on the scene, Teutonic tormentors Desaster proved they still had it on record with last year’s ‘The Art of Destruction’and fortunately, they’ve still got it live, with a blackened thrash onslaught as bestial as their predecessors would predict.

After an unexpected silence, it is finally announced that Impaled Nazarene have had some car problems and vocalist Slutti666 runs onto the stage, band in toe. Admittedly, the sound is a little off to start but considering the consequences it’s soon forgotten with an onslaught of blackened thrash.

We try to ignore the fact Korpiklaani are on later than thrash titans Destruction but it’s hard when you see what they can do live. With several years under their bullet belts and a discography longer than most of the crowd’s hair, the band create a sound hard to believe is from a trio.

Carcass take their time but when they arrive, its full steam ahead with favourites including ‘Corporal Jigsaw Quandary’, ‘Heartwork’ and ‘Genital Grinder’. We even get a showcase of what to expect from latest offering ‘Surgical Steel’, which slots in with ease and could’ve easily closed the festival.

Luckily for us it doesn’t end there and Party.San manages to find a band that could top the likes of Carcass – Venom. Frequently coined as the founders of this whole scene, the band take the label with pride and prove it with the majority of the set showcasing the ‘Welcome To Hell’ and ‘Black Metal’ albums. He may be half a century in age but Cronos is unstoppable, his shrill cries still as memorable as they were at the beginning and the band sums up perfectly what Party.San is all about.

Review by Lily Randall

published on soundshock.com

Aborted @ The Garage, London

It seems to be common knowledge that if a death metal show is on at the Garage, you’re going to be crammed into the upstairs of the venue, making for a claustrophobic yet intimate show and ear plugs certainly required. Aborted were last on our shores back in February supporting Vader and if you thought The Underworld show was crazy, you’re in for a treat tonight.

Opening the night is a convenient yet obscure choice in the form of System Divide. Containing three Aborted members, including vocalist Sven and his wife Miri Millman (ex-Orphaned Land), the band are a far cry from the brutality on the rest of the line up with a beauty and the beast approach on the vocals that falls on its head a bit with this audience. Although the band is pumped up and the overall musicianship is strong, the melodeath tracks from debut ‘The Conscious Sedation’ are predictably commercial and lacking in grit.

London’s own Acrania are up next and the evening is swung to the other end of the heavy spectrum. With a sound akin to the likes of Whitechapel, the youngsters slam through their set of standard deathcore with breakdowns galore. With obvious brutal DM influence throughout, it seems this is enough to sway some of the audience who claim to be “anti-core”. The band may dub themselves as “politicore”, which is cringe worthy in itself, but there is nothing overly powerful about their presence other than the obvious.

The last year has seen death metal Brits Dyscarnate flourish under the spotlight, with great support slots, trips around the world and a well-received sophomore full length. Tonight is a perfect example as to why they deserve the attention. With a set similar to their appearance here earlier on in the year supporting Aeon, it explosive from the word go and it’s amazing to see a trio cause such a wonderful racket. Their straight-up death metal has no gimmicks and pummels you through chunky guitars and blistering drumming. ‘The Promethean’ still stands out as a favourite and with a new album on the way; it’ll be interesting to see how much more this band can evolve.

Celebrating the tenth anniversary of 2003’s Goremageddon album, Aborted are back on our shores after supporting the likes of Vader earlier on in the year. Although, the set list is relatively similar to February’s onslaught, the brutal death metallers show they’re suited to intimate venues, as vocalist Sven rabidly wonders the staged like a man possessed. Blending chuggy breakdowns with face-melting speed, the Belgians swoop through favourites such as ‘Origin of Disease’ and ‘Fecal Forgery’. The sound is tight with each piece of the brutality barricading you into its grasp. The crowd isn’t as mad as you expect but this doesn’t stop the night from being a success with the ending the perfectly bloodied cherry on top.

Reviewed by Lily Randall

published on soundshock.com

Hellfest 2013

Review by Lily Randall and Siobhan Hogarty

Friday

For the last couple of years now, Hellfest has proven itself to be one of the best set ups you could find for a festival, with each of the six stages catering for every need. The weather was as indecisive as we were when our favourite bands clashed but the atmosphere was far from dampened as the array of rusty aesthetics around the arena glistened, rain or shine.

With bands starting at 10.30 in the morning, the heavy Thursday night feels like a silly idea but it isn’t long til Dr Living Dead! knocks the hangover out of you. The Swedish crossover is a perfect hair of the dog in music form, with ridiculous thrash worship fuelled with onstage energy. Tracks from their latest ‘Radioactive Intervention’ are packed with horror B movie themes and by the end of their snappy set, you’re back on the beer with a grin on your face. LR

When Sheffield’s second favourite sons of the weekend Black Spiders storm on to Mainstage 1 and the sun breaks through the clouds, the assembled mass don’t seem to have woken up yet.  They are soon banging their heads though, with new material like ‘Teenage Knife Gang’ and ‘Creatures’ being debuted.  The tracks have the perfect amount of grit and stomp, which is a pleasant addition to the Black Spiders arsenal, slotting in perfectly alongside ‘KISS Tried To Kill Me’ and ‘Stay Down’. Never has the Mainstage crowd chanted for ‘Balls!’ so early in the morning.  Beautiful sights for the first day of a festival. SH

Polish band Hate have been through a hell of a lot in the past year, so it’s an honour for them to step onto the Altar so last minute. Their blackened death may have been compared to Behemoth, but today’s presence certainly stands alone with every blastbeat sounding crisp and this year’s release ‘Solarflesh’ sounding particularly beefy. Although brutal, there is something somewhat beautiful about this afternoon’s set, as we see ex-bassist Mortifer (who passed away earlier this year) replaced by his own wife Varaska. Not only does she blend into the band with ease musically but also physically, as she takes on the stance and corpsepaint of her late husband.  LR

Over on the Temple tent, Hooded Menace are slowing down the tempo with crushing consequences. The Finnish four-piece may only have three full lengths under their belts but with several splits with doom death legends including Asphyx, the equally room-riddled band have picked up all the best habits. The stage is oozing with mystery as the band stay hooded in darkness and the guitars sound as terrifying as boys would hope for as the lyrics prove to be a horror fanboy’s idea of poetic perfection.  LR

Old school Gothenburg boys Hardcore Superstar roll on to Mainstage 1 with a bounce in their step.  They offer us thrash-tinged hard rock with a healthy amount of sleaze and they have the stage presence to boot after a fair few years in this game.  With ‘Last Call For Alcohol’ getting the crowd in fine voice, we see front man Jocke Berg pace the stage to get a bit more energy from them.  ‘Above The Law’ gives the band the reaction they have been craved and they give it back just as good, exuding power and energy.  A solid, successful effort from all involved. SH

Despite seeming slightly out of place on the doom central Valley stage, Black Breath still pull in quite a crowd and perhaps the impossibility of pigeon-holing this band is why they could not decide on a location. The band is as electrifying as they are on record, with last year’s ‘Sentenced to Life’ showcased heavily in all its glory. Their mix of thrash, death and hardcore causes for explosive scenes from the start with ’Feast Of The Damned’ chugging along in crusty style and although the music turns from breakdown to speedy riffage, the set is smooth with angst. LR

The aforementioned Asphyx rule the Temple proving exactly why doom and death may seem juxtaposed but work wonders when blended together into a bitter smoothie of sadism. The veterans are as pummelling when they tone it down as they are when the slightly quicker tracks kick in, with latest anthem ‘Deathhammer’ causing a serious frenzy. The Dutch destroyers manage to exhibit their rawness without being lost within the mix and in their own words; they certainly still kill “the brutal way”. LR

Terror on the new Warzone stage – last year we saw our hardcore bands slamming down in a tent but 2013 sees this baby go outdoors, with considerable effect.  Tracks such as ‘One With The Underdogs’ and ‘Keep Your Mouth Shut’ fire the crowd into one solid mass of flailing legs, arms & shirts as the pit rages.  The breakdowns reign supreme as Scott Vogel and his merry bunch of musicians dance and bounce their way around the stage.  Terror have slayed it with this high-energy anthem filled set.  Their energy is contagious, leaving a grin on each face in the crowd and that is how it should always be.  SH

It’s no surprise that Kreator go down a storm over on the second Mainstage. With an impeccable live record and three decades of experience in their favour, we expect nothing less than a pure thrash attack from the Teutonic titans. As expected Mille and co raise the ‘Flag of Hate’, blast through ‘Phantom Antichrist’ and ‘Hordes Of Chaos’ and other classics with a mental circle pit to accessorize with. Off all the thrash bands on today, these guys show them how it’s done. LR

Hazy tent filled with thick pungent smoke and a slow continuous head nod en masse?  Check.  That’ll be Sleep crushing The Valley stage then.  ‘Holy Mountain’ is a slice of thundering beauty, with ‘Dragonaut’ flowing through flawlessly in response.  Bongs are held aloft as those gathered lap up the bass driven spectacle.  Sleep put on an intense show and this was a very special experience indeed.  SH

Def Leppard are legends, plain & simple.  We see them onstage tonight, with Viv Campbell proudly standing amongst his band mates, sporting what he described as an “aerodynamic” hairstyle after his monumental news recently regarding his current battling with Hodgkin’s lymphoma.  One thing tonight is evident for all to see, Def Leppard know how to put on an incredible rock show and they enjoy doing it.  Time has not altered Joe Elliott’s voice, belting it out in classic form with ‘Let’s Get Rocked’ and ‘Foolin’.  This scribe is dancing for the full Hysteria portion of the set, as the 1987 powerhouse of rock is alive and kicking in year of 2013.  Mainstage 1 has been hit by ‘Hysteria’, but the crowd just don’t seem to be all too interested, which is a shame.  A fantastic show as always, proving that the legends can still pull it off live.  SH

It is a tough act to follow a polished and pristine set like that of Def Leppard, but Tobias Sammet has all of the swagger and charm necessary to do just that.  Avantasia are the last band of the day to grace Mainstage 2, in their expectedly unique fashion.  Tobias commands the stage, with a plethora of musicians guesting to entice the crowd as epics such as ‘Twisted Mind’ and ‘The Seven Angels’ captivate.  Who doesn’t love a slab of over the top falsetto filled operatic metal?  Exactly, pretty perfect choice to close Mainstage on the first night.  If only ‘Chalice Of Agony’ had made an appearance, which would have truly made their set first class.  SH

 

 

Saturday

With vocal chords strained and heads pounding its off the the stereotypical breakfast bar for a chocolate crossaint and strong black coffee. There’s nu-metal nostalgia aplenty today, scattered in amongst extremities of all forms. With Immortal and KISS clashing tonight, black and white face paint clutters the campsite as you distinguish your sloppy Genes to the scruffy Abbaths. As Sleep proved last night, there isn’t much going on regarding weed restrictions, so we predict another foggy day over in the Valley. Round two, ding ding!

Dead Congregation have created quite a name for themselves when it comes to live rituals and the Greeks confirm why over on the Temple tent this afternoon. The Incantation-loving death metallers have a gritty approach that finds them attracting fans more likely to be found at the Altar line up, due to a slight inkling of black metal tendencies. The tent is small enough to keep DC’s underground stance, yet their music is bellowing enough to seep out of the openings, terrifying many who pass their set en route for a burger. LR

P.O.D start our nu-metal antics for the day over on Mainstage 2 as Sonny Sandoval bounces along with ‘Set It Off’ and ‘Youth Of The Nation’.  Whilst their set is energetic & entertaining enough for the duration, the song that most of the crowd are undoubtedly here to hear finally slams down, in the shape of ‘Alive’.  The audience instantly springs to life and finds a second wind, with the sing along soaring for all to hear.  Everyone loves a bit of the old school moshing; this set has just proved it. SH

Coal Chamber bring the ‘Big Truck’ to Mainstage 2 and park it firmly to continue the nu-metal moshing anthems.  They flash their attitude from the moment they walk on, with drumsticks, microphone stands and bottles of water being fired around the stage at band members and crew.  A nostalgia trip full of classics like ‘Loco’ fire the crowd up nicely and the band receive a warmer welcome than expected, is there a promising future for Coal Chamber action afterall? SH

The Dutch have never had any particular legacy regarding death metal but if they did it would be Sinister who take the crown. Since the late eighties, the band has spewed out album after album of simple yet effective DM so it was only a matter of time until the band released a compilation. Their set is evidence as to why it was named ‘Years of Massacre’, with every song sounding as pounding and raw as the next, without the drums flooding the sound. From start to finish the crowd are headbanging furiously and it’s hard not to join in. LR

Kata ton Daimona Eaytoy’ could be one of the most hypnotic albums released this year and it would appear many are keen to hear it over on the Altar. Rotting Christ’s mystical, blackened metal loses none of its atmosphere live with every harrowing chant and haunting guitar creating an epic haze of smoke. The Tolis brothers and their live additions may not move around the stage much but then again neither do you, as you’re whisked up in every sing-along chant despite not actually knowing any Greek. LR

They’ve got ‘Legs’ and they are not afraid to use them.  ZZ Top may be older than most of the bands here but they still put on a hell of a show, including breaking out some groovy dance steps.  They treat all of us gathered at Mainstage 1 to an extensive catalogue of songs old, new and not even their own.  Classics like ‘LA Grange’, ‘Sharp Dressed Man’ & ‘Tush’ weld perfectly with newer material, such as the very suitable ‘Chartreuse’.  To make the occasion even more special than usual, we see the suave Texans storm through a slinky cover of Hendrix’s ‘Foxy Lady’.  This set is just laden with style and swagger, whilst the trio look completely at ease and loving every moment of this show.  SH

Unlike last year, the Warzone stage isn’t covered and is tucked away within the woody area of the arena. If you’re lucky, you witness NOFX playing to a rammed area, with people peering through wire fencing just to catch a glimpse. As expected, the band is desperate to hold onto the youthful looks to accompany their youthful anthems of silliness (and some political seriousness) which sound as great as they always have done at festivals. The punk angst is still there and there is something joyful about seeing some forty odd guys with blue hair moaning such immature lyrics. Who likes growing up anyway? LR

KISS are now on the road to becoming a festival staple, but that doesn’t mean we don’t love every minute spent watching them.  With new additions to their flamboyant stage show (platforms which elevate Thayer & Simmons out above the crowd, no less!), KISS show why they are rock legends.  Sadly, it seems to fall a bit flat on a large portion of the crowd who seemingly don’t want to party.  Hearing a classic tune like ‘Love Gun’ get little to no crowd response is fairly heart-breaking, but perhaps their own volume is not enough to elevate fans.  KISS soldier on unaffected by the lack of crowd participation, laying down hits like ‘War Machine’ and ‘Lick It Up’, alongside ‘Hell Or Hellelujah’ from their newest record ‘Monster’.  Mainstage 1 has been rocked and left dazed, covered in glitter confetti and making quite the spectacle.  SH

The Valley tent is absolutely rammed as Cult of Luna immerse themselves in bright lights and fog, ready to mesmerise. The sound is so intense it’s a surprise the tent stays erect, as atmospheric sludge and post-hardcore swirls and plunges into the depths of everyone’s minds. This year’s ‘Vertikal’ is exhibited quite prominently as the early hours of the morning creep in and normally this would be a disappointment but the new material sounds a tenfold more crushing than on record. The Swedes mysterious presence is all that’s required as the music doing the business and it’s likely that after classics such as ‘Owlwood’, most won’t have eardrums left to see the final acts of the night. LR

More nu-metal classics are being blasted this weekend with Korn closing Mainstage 2 in the wee hours of the morning.  The crowd absolutely explode as the band fire straight into ‘Blind’, bodies slam around and arms fly high in the air.  Newer tracks like ‘Narcissistic Cannibal’ fit well with their slick lighting set up, mixing perfectly into a set littered with hits such as ‘Did My Time’ & ‘Here To Stay’.  Something seems different about Korn live and not necessarily in a bad way as Head is back stomping with the troops.  Their set is polished and tight, almost too tight, as if it is missing some of the raw emotion of the tours gone by.  It’s an enjoyable set to bounce around to all the same.  SH

Its 1am and many of us are struggling to stay upright. Despite the travesty that was ‘Illud Divinum Insanus’ it would appear many try to remain upbeat about the chance to see death metal legends Morbid Angel live, as the Temple swells. Thankfully the band opens with legendary ‘Immortal Rites’ and the set continues to please with ‘Rapture’, ‘Maze of Torment’ and other nineties’ favourites. Ideally, David Vincent and co are used to a larger setting and although seeing bands of this status playing a tent should be life changing, it seems Morbid Angel struggle to create an intimate setting. Just as you think you’ve been spared, the infamous ‘Existo Vulgoré kicks in and a unanimous roll of the eyes is felt in the air. Luckily, the un-deathly torture of this and ‘Nevermore’ is short lived and everyone sticks around for the obvious encore of ‘Chapel of Ghouls’, bringing the second night to a brilliant, yet shattering conclusion. LR

Sunday

Irritatingly enough, Hellfest  decided to put Europe on the Friday, ruining any chances of ‘Final Countdown’ puns. The end however is indeed nigh and suddenly everyone goes into panic mode over returning to reality tomorrow. Due to some line-up changes and set moves the evening turns into quite a magical spectacle, as we soon find out whilst rushing around to gorge on as much musical mayhem as possible.

When Nachtmystium pulled out from playing the Altar, many were saddened but it opened up a slot for French underdogs Svart Crown to show their worth. Their blackened death live onslaught has clearly improved since their last appearance in 2011, as the tent is far fuller despite another early start for the boys. Not only that but this year’s record ‘Profane’ shows a progression of brutality and unlike many bands the several layers of monstrous sound are complimented by a live show. The band windmill in unison with grins on their faces throughout and despite saying it two years ago, we hope the band finally get the recognition they deserve this year. LR

Danko Jones enjoy a bit of action and they want everyone gathered at Mainstage 1 to know that.  They bound through an energetic, face-paced set as ‘Had Enough’ starts the proceedings off in style.  Their sound is slick, with just a touch of beautifully raw vocals as front man Danko Jones shows his skill in fine form.  ‘First Date’ is an absolutely storming tune, dripping with sleaze, leaving the crowd screaming for more.  As ‘Just A Beautiful Day’ roars out, with the sun scorching, everyone has fallen in love with the Canadian rock ‘n’ roll trio.  SH

Ihsahn makes a very welcome return to The Temple stage.  There is a buzz in the air as ‘On The Shores’ absolutely soars; the crowd are feeding off the energy inside the tent.  The beautiful experimental cacophony we have grown accustomed to during Ihsahn set’s falls upon us once again with ‘The Paranoid’, a frantic whirlwind of sound.  Each track sounds mammoth, filling every inch of the tent perfectly as the bass lines rattle your very bones.  Reaching back through his catalogue of epics, Ihsahn flattens all with the crushing ‘Frozen Lakes On Mars’, that signature guitar tone rings through the air with precision.  The soaring chorus’ of the collective body of work sends shivers down the spine, as it does every time this scribe is lucky enough to see these musicians at work.  It all gets a little gloomier as ‘The Grave’ opens & we delve into the murky riff laden territory.  The only improvement that could be suggested would be a live saxophonist, to really expand the overall effect of this unique sound.  As the last few calls ring out, it has been another astonishing set… like we expect any less.  SH

The Temple has taken quite the battering this weekend with stellar death metal and grind and it doesn’t end now, as Krisiun take to the stage to continue the attack. Throughout the set there are the expected blistering blastbeats and horrible growls but there is nothing particularly special about their performance. ‘Blood of Lions’ and ‘Vicious Wrath’ slaughter with ease but compared to some of the surprises that have appeared in the last three days, it’s nothing memorable.  LR

The Main Stage 2 is absolutely rammed before the band comes on to the stage but the backdrop explains the hype in big letters: GOJIRA. Back on home turf, the international favourites come out to a proud roar before rupturing into ‘Explosia’ and as always the French four piece swirl and chug their way through the blistering heat. Although the playing is flawless, with the likes of ‘Flying Whales’ ‘Backbone’ and ‘Remembrance’ glistening in groove, the breeze seems to take away from the usual monolithic sound usually experienced and Joe Duplantier’s snarls are slightly lost by the time it reaches the crowd. ‘Where Dragons Dwell’ concludes the set and although some favourite trackes are removed, there’s no denying how powerful Gojira are as a live entity. LR

Very sadly, Clutch had to pull out of Hellfest for personal reasons.  But never fear, because Down are still here! The Valley is hit by a superset to baffle and amaze those lucky to grab a spot.  The great man himself Phil Anselmo begins the set by saying ‘It may be a one time, it may be an only time, but it is a unique time’ and that it definitely is.  A fully loaded bong is smoked onstage before they launch into ‘Rehab’ & ‘Swan Song’, which absolutely slay.  We are then treated to a series of Eyehategod, Crowbar & Corrosion of Conformity covers.  We see Phil on guitar and Jason Newstead popping onstage to play ‘Clean My Wounds’.  It’s like the coolest jamming session ever witnessed and those there are fully aware of how lucky they are.

When the beautiful Danish men in Volbeat arrive, they are ready to destroy with their personal blend of metal and rockabilly with rock ‘n’ roll.  It kicks off with a bang as they slam straight into ‘Hallelujah Goat’, sounding absolutely flawless.  Poulson and co are on top form, a precision gelled through their extensive schedule no doubt.  Hellfest are treated to a range of tracks old and new, before Barney from Napalm Death makes a very welcome appearance to rock the shit out of ‘Evelyn’.  This wonder is followed by a medley of ‘Breaking The Law’ & ‘Raining Blood’, which is just glorious.  It feels like the party could continue when Volbeat finish up their magnificent set with ‘Pool Of Booze, Booza, Booza’. Sadly, all good things must come to an end.  A more than worthy headliner, let’s do this again soon Volbeat. SH

Ghost have been moved to Mainstage 2, to face their congregation in the dark of the night, after Danzig moved to fill their tent slot earlier in the evening.  It was a magnificent decision, as we see Ghost make their triumphant return to Hellfest in a manner only they can.  Grandeur and grace is on constant display from Papa Emeritus II, as he floats across the stage carrying out his musical service.  The beautiful harmony-filled ‘Stand By Him’ flows perfectly through the night air, as Papa’s voice simply rattles to the bone.  After a strange double desk failure & a resulting power cut on stage, the crowd are conducted through the remaining hymns by the slightest movement of the leather-clad hands of that enigmatic front man.  As the haunting refrain of the beautiful ‘Monstrance Clock’ rings out & the cloaked figures exit, there is a buzz in the air, as we are left questioning why Ghost weren’t on the Mainstage in the first place after that outstanding set. SH

 

Review by Lily Randall and Siobhan Hogarty

Published on soundshock.com

Sonic Obliteration @ Camden Underworld, May 2013

A 3pm start for an entire day of extreme metal may seem a little extreme in itself and it will be a miracle if everyone leaves with the capability of hearing and walking but fans are eager to accept the challenge. A wide range of local talent is on offer to warm up the crown and provide background drinking music for many with thrashers Axonide starting off the procedures. Grindcore trio Oblivionized get brutal without a bass and slightly more known Brits Bloodshot Dawn bring a more conventional deathly sound into the day.

The slightly manic Unfathomable Ruination blastbeat their way into frenzy, whilst The Last Shot Of War’s deathcore falls on its face with predictable breakdown galore. Rearmed continue the madness with some more brutality but suddenly the break between bands begins to lengthen.

After playing a show in Ireland previously, the remaining three bands are still nowhere to be seen and it develops that their ferry is not going to arrive in time. This unfortunately results in the assaulting sound of Decrepit Birth not being heard tonight, much to our displeasure and many others’ here.

Luckily Cattle Decapitation do a tremendous job of picking up the bad vibes and blasting them out of the venue in a frenzied showdown of death metal done good. Frontman Travis Ryan devours the stage whilst spewing out demented vocals to create the best uneasy listening one could ask for. Latest tracks from ‘Monolith of Inhumanity’ get a stellar response and new favourite ‘Forced Gender Reassignment’ causes the biggest mosh pit of the night to explode. Instead of suffering with sea legs, the nastiness is played with a precision so pummelling, they take the band of the night award.

You’d think a band with as much experience as Cryptopsy would be able to follow this performance in their stride but unfortunately their set becomes quite the anti-climax. Despite last year’s self-titled album throwing the band back into the spotlight to some extent, it feels as though the band have lost their bite in general since frontman Lord Worm left. The sound is swamped by double bass and there is an intensity lacking in songs such as ‘Slit Your Guts’ that would normally blow off the roof. Due to this the crowd seem knackered prematurely but its understandable when you take in how much has been displayed today.

Reviewed by Lily Randall

Published at soundshock.com

Repulsion live @ Relentless Garage, London 03/05/2013

After a few queries about which part of the Garage the gig will be taking place in, it soon appears that underground death metal is far more popular than expected, with the larger room in use tonight. Not only that but it is pretty much rammed from the word go. This is probably due to the names involved in opening act Septic Tank and once you manage to find a spot amongst far too much dry ice, they make it worth your while coming down early. After the unfortunate news that Cathedral had split up earlier on this year, the members Lee Dorrian, Scott Carlson (also of Repulsion) and Garry Jennings have unleashed side project Septic Tank, a far cry from their previous doomy outlet. Instead this one off show is fuelled with DIY energy and crusty thrash fills every corner of the room. Whether or not, we’ll get to witness this again in the near future is another story but regardless it’s a perfect warm up for what’s to come.

Horror fanatics Necrophagia return after a decade’s absence from the UK with a morbid stench as they grace the stage. Frontman Killjoy is his usual ghoulish self, spluttering nastiness through harrowing growls whilst playing with a toy box worth of Halloween props, which is more humorous than it is horrifying. Nevertheless, the US death metal machine plough through older works such as ‘Return To Texas’ and ‘You Ungodly Warlock’, as well as more recent but equally filthy tunes from the ‘Deathtrip 69’. Gore galore may be slightly silly for part of the more “kult” audience but one cannot fault their enthusiasm.

Repulsion need no gimmicks. There aren’t many bands that can make one full length, disappear for a quarter of a century and then return to a full house but they do. Not only that, but ‘Horrified’, the iconic album in question is under half an hour long, so how will a headline set be filled? The answer is that it will be filled with absolute insanity from start to finish. Founding members Scott and Matt Olivo are joined by Col Jones on drums and the crowd go ape shit from the opening of ‘The Stench of Burning Death’, which is over in a flash. Despite the ridiculously old recording sound of the grind created by Repulsion back in the day, the live experience is monolithic as it cleans up certain buzz without the tracks losing their filthy vibes. As Carlson explains, everyone’s favourites are played as the whole album fits in so ‘Black Breath’, ‘Radiation Sickness’ and ‘Crematorium’ are just a few classic amongst several. To fill the time, stellar covers of Venom and Slaughter are thrashed out despite the usual death style of the band and demos are resurrected through tracks including ‘Helga (Lost Her Head)’, each sounding as fast and ferocious as the next. The only downside is that the set is over before you know it and despite a sore neck and a rasped voice, you’re stood there pining for more aural attacks. Yes, it really was that good.

Reviewed by Lily Randall

Published on Metal-Rules.com

Enslaved/Winterfylleth,Ancient Ascendant live @ The Underworld 2013

Enslaved, Winterfylleth, Ancient Ascendant

21/03/2013

The Underworld, London

With the weather refusing to jump into Spring, we continue to brace ourselves for a Nordic winter evening and once again, Scandinvian sounds prove as the perfect soundtrack. After supporting Dimmu Borgir back in 2010 and doing a few shows along the way in the UK, tonight sees a sold out show for Enslaved, allowing both crowd and band to embrace a headline set.

Ancient Ascendant’s origin may not be as Viking-esque as they look and sound, but the Reading death metallers do their influences proud with an energetic onslaught of melody-riddled brutality with smatterings of black and thrash for extra kicks. The youngsters choose to play latest EP ‘Into The Dark’ in its entirety despite releasing a full length in 2011 but the tunes on show tonight prove the deathly developments made. The band grab the heart strings of the crowd with a cover of Bathory’s ‘Flash Of The Silver Hammer’ and an ideal scene is set for the rest of the night.

Winterfylleth have grown to become one of Britian’s most loved exports and with last year’s ‘Threnody of Triumph’ being so, ahem, triumphant in the annual album charts, the anticipation is buzzing this evening. This is only further increased thanks to a few technical difficulties when starting but as soon as the intro tape kicks in on the second time round, the ‘Fylleth four are all guns blazing/ Known for their adoration of the homeland and its natural beauty, the Northerners black metal streams with an organic effortlessness, as frontman Chris Naughton smiles and gnarls through tracks such as ‘The Swart Raven’ and ‘The Fields of Reckoning’ with pure enjoyment.  Despite a predominantly fast tempo, the band slows down for fist pumping patriotism and closer ‘Defending The Realm’ from debut ‘The Ghosts of Heritage’  is a prime example of pride, as it creates an epic intimacy between fans and band.

If you want prove of a band that refuses to stick to their regional stereotype, look no further than Enslaved. After bursting from the second wave of black metal cocoon that Norway produced, their roots laid deep within the nature and history of their surroundings, in a similar vein to Winterfylleth now. After a Viking-fuelled few albums, the band’s experimenting into more progressive realms continued to grow and tonight’s set is dominated by the evolution of Enslaved. With last year’s dark yet pristine release ‘RIITIIR’ showcased through tracks such as ‘Roots of the Moutain’ and ‘Thoughts Like Hammers’, the progressive pummelling sounds even more monolithic  than on record, which seemed impossible prior to tonight.

Albums ‘Ruun’ and ‘Axioma Ethica Odini’ are visited briefly and are presented with style, whilst the band banters between itself in a manner that is not very “krieg” at all, yet it causes the crowd to adore them further. There are likely to be a few in attendance this evening who are disappointed by the lack of true, raw black metal Enslaved used to conjure, however they are extremely outnumbered by the looks of the sweaty and eclectic crowd that are lapping up a Led Zepplin cover of ‘Immigrant Song’ as the night draws to a close.

Review by Lily Randall

Published at http://www.Metal-Rules.com